Shylock’s Inwardness and Resentment
Palavras-chave:
Interioridade, Ressentimento, Mercador de VenezaResumo
Este artigo analisa parte da cena do julgamento no Mercador de Veneza de Shakespeare. As disposições interiores de Antonio são representadas em um ato frívolo de sacrificar-se por Bassanio. Seu desejo mais profundo é esconder suas sinistras dimensões interiores, que não deseja ver. Assim, elogia apenas seu ato de generosidade pago com a própria vida, num ato algo masoquista. Por outro lado, o ressentimento e a vingança de Shylock retratam dimensões interiores, retratando sua interioridade na peça.
Referências
ADELMAN, Janet. Blood Relations: Christian and Jew in The Merchant of Venice. Chicago/London: The University of Chicago Press: 2008.
ANDERSON, Douglas. The Old Testament Presence in The Merchant of Venice. ELH, Vol. 52, No. 1 (Spring, 1985), pp. 119-132. The Johns Hopkins University. Available in: http://www.jstor.org/stable/2872830. Accessed: 08/04/2011
AUERBACH, Erich. Mímesis: a representação da realidade na literatura ocidental. São Paulo: Perspectiva, 2007.
BENSTON, Alice N. Portia, the Law, and the Tripartite Structure of the Merchant of Venice. Shakespeare Quarterly, Vol. 30, No. 3 (Summer, 1979), pp. 367-385. Folger Shakespeare Library and George Washington University. Available at http://www.jstor.org/stable/2869472. Accessed: 08/04/2011 18:08
BERGER Jr, Harry. Mercifixion in The Merchant of Venice: The Riches of Embarrassment, in Renaissance Drama, New Series, 38, 2010, pp. 3-45. In: http://muse.jhu.edu/journals/renaissance_drama/summary/v038/38.berger.html, accessed on May, 1, 2012.
COLLINS, Stephen L. From divine cosmos to sovereign state. Oxford: Oxford University Press, 1989.
COSTA LIMA, Luiz. A Literatura e o Leitor: Textos de Estética da Recepção. São Paulo: Paz e Terra, 2011.
CRITCHLEY, Simon & MCCARTHY, Tom. Universal Shylockery: Money and Morality in "The Merchant of Venice". Diacritics, Vol. 34, No. 1 (Spring, 2004), pp. 2-17 Published by The Johns Hopkins University Press, in http://www.jstor.org/stable/3805828 Accessed: 20/01/2011 10:28
DRAKAKIS, John. Historical difference and Venetian Patriarchy. In COYLE, Martin. The Merchant of Venice: contemporary critical essays. Londres: Macmillan: 1998. (New Casebooks), pp. 181-208.
FERNIE, Ewan. Shame in Shakespeare. Series Accents on Shakespeare. London: Routledge, 2002.
FERREIRA, R. DE S; LUDWIG, C. R. Life and Fiction: Imagination and Literary Creation in Atonement. Porto das Letras, ISSN 2448-0819, Vol. 5, Nº 2, p. 58-77, 2019
HINELY, Jan Lawson. Bond Priorities in The Merchant of Venice. Studies in English Literature, 1500-1900, Vol. 20, No. 2, Elizabethan and Jacobean Drama (Spring, 1980), pp. 217-239. Rice University, in http://www.jstor.org/stable/450170, Accessed: 20/01/2011 10:22
HIRSCHFELD, Heather Anne. 'We All Expect a Gentle Answer, Jew': The Merchant of Venice and the Psychotheology of Conversion. ELH, Volume 73, Number 1, Spring 2006, pp. 61-81. Baltimore: The Johns Hopkins University Press, 2006.
JORDAN, Constance & CUNNINGHAM, Karen (eds.). The Law in Shakespeare. Londres: Macmillan, 2010.
LUDWIG, C. R. Adaptação e Re-Criação de Ricardo III, de Al Pacino. Porto das Letras, ISSN 2448-0819, Vol. 03, Nº 02. Jul.-dez., 2017.
LUDWIG, C. R. Inwardness and Subjectivity in Early Renaissance. Porto das Letras, ISSN 2448-0819, Vol. 4, Nº 2. Jul.-dez. p. 134 – 164, 2018.
LUDWIG, C. R. Judgment, Conscience and Shylock’s Bond. Porto das Letras, ISSN 2448-0819, Vol. 6, Nº 1. Jan.-jun., p. 110-139, 2020.
MARLOWE, Christopher. The Complete plays. Edited by Frank Romany & Robert Lindsey. London: Penguin, 2003.
MAUS, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago e London: University of Chicago Press, 1995.
McGINN, Colin. Shakespeare’s Philosophy: Discovering the Meaning behind the Plays. New York: Harper, 2007.
SHAKESPEARE, William. Complete Works. Londres: Wordsworth Editions, 2007.
SHAKESPEARE, William. Richard III. Edited by Antony Hammond. New York: Matheun, 1997.
SHAKESPEARE, William. Shakespeare's Sonnets. Edited by Katherine Kuncan-Jones. Croatia: ITP, 1997.
SHAKESPEARE. Macbeth. Edited by Kenneth Muir. London: Arden, 1997.
SHAKESPEARE. The Merchant of Venice. Edited by John Drakakis. London: Ardn, 2010.
SHAPIRO, James. Shakespeare and the Jews. New York: Columbia University Press, 1996.
SOUSA, T. C. P. As Manipulações Narrativas em Atonement de Ian McEwan. Porto das Letras, ISSN 2448-0819, Vol. 02, Nº 02. Jul.-dez., 2016.
ANDERSON, Douglas. The Old Testament Presence in The Merchant of Venice. ELH, Vol. 52, No. 1 (Spring, 1985), pp. 119-132. The Johns Hopkins University. Available in: http://www.jstor.org/stable/2872830. Accessed: 08/04/2011
AUERBACH, Erich. Mímesis: a representação da realidade na literatura ocidental. São Paulo: Perspectiva, 2007.
BENSTON, Alice N. Portia, the Law, and the Tripartite Structure of the Merchant of Venice. Shakespeare Quarterly, Vol. 30, No. 3 (Summer, 1979), pp. 367-385. Folger Shakespeare Library and George Washington University. Available at http://www.jstor.org/stable/2869472. Accessed: 08/04/2011 18:08
BERGER Jr, Harry. Mercifixion in The Merchant of Venice: The Riches of Embarrassment, in Renaissance Drama, New Series, 38, 2010, pp. 3-45. In: http://muse.jhu.edu/journals/renaissance_drama/summary/v038/38.berger.html, accessed on May, 1, 2012.
COLLINS, Stephen L. From divine cosmos to sovereign state. Oxford: Oxford University Press, 1989.
COSTA LIMA, Luiz. A Literatura e o Leitor: Textos de Estética da Recepção. São Paulo: Paz e Terra, 2011.
CRITCHLEY, Simon & MCCARTHY, Tom. Universal Shylockery: Money and Morality in "The Merchant of Venice". Diacritics, Vol. 34, No. 1 (Spring, 2004), pp. 2-17 Published by The Johns Hopkins University Press, in http://www.jstor.org/stable/3805828 Accessed: 20/01/2011 10:28
DRAKAKIS, John. Historical difference and Venetian Patriarchy. In COYLE, Martin. The Merchant of Venice: contemporary critical essays. Londres: Macmillan: 1998. (New Casebooks), pp. 181-208.
FERNIE, Ewan. Shame in Shakespeare. Series Accents on Shakespeare. London: Routledge, 2002.
FERREIRA, R. DE S; LUDWIG, C. R. Life and Fiction: Imagination and Literary Creation in Atonement. Porto das Letras, ISSN 2448-0819, Vol. 5, Nº 2, p. 58-77, 2019
HINELY, Jan Lawson. Bond Priorities in The Merchant of Venice. Studies in English Literature, 1500-1900, Vol. 20, No. 2, Elizabethan and Jacobean Drama (Spring, 1980), pp. 217-239. Rice University, in http://www.jstor.org/stable/450170, Accessed: 20/01/2011 10:22
HIRSCHFELD, Heather Anne. 'We All Expect a Gentle Answer, Jew': The Merchant of Venice and the Psychotheology of Conversion. ELH, Volume 73, Number 1, Spring 2006, pp. 61-81. Baltimore: The Johns Hopkins University Press, 2006.
JORDAN, Constance & CUNNINGHAM, Karen (eds.). The Law in Shakespeare. Londres: Macmillan, 2010.
LUDWIG, C. R. Adaptação e Re-Criação de Ricardo III, de Al Pacino. Porto das Letras, ISSN 2448-0819, Vol. 03, Nº 02. Jul.-dez., 2017.
LUDWIG, C. R. Inwardness and Subjectivity in Early Renaissance. Porto das Letras, ISSN 2448-0819, Vol. 4, Nº 2. Jul.-dez. p. 134 – 164, 2018.
LUDWIG, C. R. Judgment, Conscience and Shylock’s Bond. Porto das Letras, ISSN 2448-0819, Vol. 6, Nº 1. Jan.-jun., p. 110-139, 2020.
MARLOWE, Christopher. The Complete plays. Edited by Frank Romany & Robert Lindsey. London: Penguin, 2003.
MAUS, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago e London: University of Chicago Press, 1995.
McGINN, Colin. Shakespeare’s Philosophy: Discovering the Meaning behind the Plays. New York: Harper, 2007.
SHAKESPEARE, William. Complete Works. Londres: Wordsworth Editions, 2007.
SHAKESPEARE, William. Richard III. Edited by Antony Hammond. New York: Matheun, 1997.
SHAKESPEARE, William. Shakespeare's Sonnets. Edited by Katherine Kuncan-Jones. Croatia: ITP, 1997.
SHAKESPEARE. Macbeth. Edited by Kenneth Muir. London: Arden, 1997.
SHAKESPEARE. The Merchant of Venice. Edited by John Drakakis. London: Ardn, 2010.
SHAPIRO, James. Shakespeare and the Jews. New York: Columbia University Press, 1996.
SOUSA, T. C. P. As Manipulações Narrativas em Atonement de Ian McEwan. Porto das Letras, ISSN 2448-0819, Vol. 02, Nº 02. Jul.-dez., 2016.
