O teatro estadunidense nos palcos de Londres

Tennessee Williams no Royal Court Theatre

Autores

  • Jonathan Renan da Silva Souza USP - Universidade de São Paulo

Palavras-chave:

Teatro inglês, Teatro norte-americano, Teatro subsidiado, George Devine, Teatro moderno britânico, English theatre, North American theatre, Subsidised theatre, Modern British drama.

Resumo

Este artigo busca dar notícia aos estudiosos e interessados em teatro estadunidense sobre a presença de peças de autores dos Estados Unidos no palco do Royal Court Theatre de Londres, um dos nascedouros do teatro moderno britânico e de importância reconhecida internacionalmente, sobretudo em revelar novos autores. Em foco estará a montagem de peças de Tennessee Williams (1911-1983), um dos dramaturgos encenados dentre o seleto grupo de estadunidenses cuja obra foi levada à cena no lendário teatro. O caráter historiográfico deste texto será entremeado com breves análises da relação entre o conteúdo e forma das peças de Tennessee que possivelmente suscitaram interesse dos diretores artísticos do Royal Court e possibilitaram um relevante intercâmbio entre o teatro estadunidense e o teatro moderno britânico no período pós-guerra.

Abstract

This article aims at promoting knowledge to experts and researchers interested in American theatre of the presence of plays from the United States at the internationally recognized Royal Court Theatre in London, one of the birthplaces of modern British drama, especially for revealing new authors. It focuses on plays by Tennessee Williams (1911-1983), one of the playwrights staged among the distinct group of American playwrights whose work was taken to the stage of the legendary theatre. The historiographic character of this text will be intertwined with brief analyses of the relation between content and form of Tennessee’s plays which possibly attracted the attention of the artistic directors of the Royal Court and made possible a relevant exchange between the American and the modern British theatre in the post-war period.

Biografia do Autor

Jonathan Renan da Silva Souza, USP - Universidade de São Paulo

Doutorando no Programa de Pós-graduação em Estudos Linguísticos e Literários em Inglês (DLM/FFLCH/USP) e Visiting PhD Student na Royal Holloway University of London (2023/2024). Dedica-se a estudar Teatro Britânico com ênfase no período pós-Guerra e em dramaturgos como Arnold Wesker, Caryl Churchill, Edward Bond, Harold Pinter, Joan Littlewood, Joe Orton, John Arden, John McGrath, John Osborne, Sarah Kane, Shelagh Delaney e Tom Stoppard.

Referências

CLUM, John. M. The sacrificial stud and the fugitive female in Suddenly Last Summer, Orpheus Descending, and Sweet Bird of Youth. In: ROUDANÉ, Matthew C. (Ed.) The Cambridge companion to Tennessee Williams. Cambridge: Cambridge University Press, 1997.

DONNELLY, Mark. Sixties Britain: culture, society, and politics. Harlow: Pearson, 2005.

ELSOM, John. Post-war British theatre. London: Routledge & Kegan Paul, 1976.

FINDLATER, Richard (Ed.). At the Royal Court: 25 Years of the English Stage Company. Derbyshire: Amber Lane Press, 1981.

HOBSBAWM, Eric. Era dos extremos: o breve século XX. São Paulo: Companhia das Letras, 2005.

ILARI, Mayumi Denise Senoi. Teatro político e contestação no mundo globalizado: o Bread & Puppet Theater na sociedade de consumo. São Paulo: Annablume/FAPESP, 2010.

LITTLE, Ruth; MCLAUGHLIN, Emily. The Royal Court Theatre inside out. London: Oberon Books, 2012.

NICHOLSON, Steve. Foreign drama and the Lord Chamberlain in the 1950s. In: SHELLARD, Dominic (Ed.). British Theatre in the 1950s. Sheffield: Sheffield Academic Press, 2000.

REBELLATO, Dan. 1956 and All That: the making of modern British drama. London: Routledge, 1999.

ROBERTS, Philip. The Royal Court Theatre and the modern stage. Cambridge: Cambridge University Press, 1999.

SHELLARD, Dominic. 1950-54: Was it a cultural wasteland? In: SHELLARD, Dominic (Ed.). British theatre in the 1950s. Sheffield: Sheffield Academic Press, 2000.

SZONDI, Peter. Teoria do drama moderno (1880-1950). São Paulo: Cosac Naify, 2011.

VICTORIA AND ALBERT MUSEUM. Bread and Puppet Theatre. Disponível em: https://collections.vam.ac.uk/item/O1166831/bread-and-puppet-theatre-poster-unknown/. Acesso em: 03 out. 2023.

WEINBERG, David. American influence on the alternative theatre movement in Britain 1956-1980. 323 f. 2015. Tese – Kingston University London. School of Performance and Screen Studies, Faculty of Arts and Social Sciences. London, 2015.

WILLIAMS, Tennessee. Orpheus descending. London: Secker & Warburg, 1958.

WILLIAMS, Tennessee. Period of adjustment. London: Secker & Warburg, 1961.

Downloads

Publicado

2023-12-28

Edição

Seção

Artigos